Found images and own Photography form the starting point.

What is cut up, appropriated, and glued together becomes the act of composition, Becomes the act of collaging, becomes the act of painting.

fragments are collected not for what they show, but for what they might become once altered.

What remains is often a collapse — the image becomes pure matter.

Painting as a process of tranformation – BEYOND Paintbrushes a hodgepot of tools is used.

a liminal visual space between IT’s being and IT’S undoing, between appearance and disappearnce.

rags, cutters, sandpaper, spatulas, sponges, cleaning brushes – unusual ways of blocking the paint’s way.

The nourishment that these paintings provide is not ‘useful’, it is essential to sustaining the vibrance of the imagination during an era of unprecedented manipulation.